作品描述

该作品营造的“境”在虚实之间。随着时间流逝，中国山水画的理念、传承、技法以及评价体系不断推陈出新，“境”也被历史赋予了“境界”、“心境”等新的含义。作者意在通过对画面虚实关系的处理来表达自身对山水意境的体会。与纸本不同，绢本在材质上更透、更细腻，更易于表现水墨的流动特性，在表现云、水、雾气的涌动与澎湃方面有独到的优势。这张作品利用绢本的特质，通过笔墨的虚实变幻营造了一种理想之境。
The “Jing” (namely “environment” in Chinese) created by this work is between virtuality and reality. With the passage of time, the concept, inheritance, techniques and evaluation system of Chinese ink wash painting have continued to evolve. Jing, thereby, has been given new meanings such as “a philosophical state”and “state of mind” by history. The author’s intention is to express his understanding of Jing through. his treatment of virtuality and reality. Unlike Xuan paper, silk boasts a more transparent and delicate material, which makes it easier to express the flowing nature of Chinese ink. Besides, it also has a unique advantage in expressing the surge of clouds and fog as well as the flow of waters. By making use of those qualities of silk, the author portrayed an ideal Jing through different shades of black ink.